A Manuscript Source for Magnificat by Victoria

A Manuscript Source for Magnificat by Victoria

Wojcicka-Hruza, L.
Editorial: 
Oxford Journal
Editor: 
Tess Knighton
Lugar de publicación: 
Oxford
Año de publicación: 
1997
Páginas: 
83-98
Revista / Publicación / Colección: 
Early Music
Volúmen(es): 
vol. XXV, nº 1, feb. 1997

Índice

Knighton, Tess, "Editorial", p. 5


 


  • Page, Christopher, "An English Motet of the 14th Century in Performance: Two Contemporary Images", pp. 7-32.
  • Dirst, Matthew, "Bach's French Overtures and the Politics of Overdotting", pp. 35-44.
  • Abravaya, Ido, "A French Overture Revisited: Another Look at the Two Versions of BWV831", pp. 47-61.
  • Corneilson, Paul, "Reconstructing the Mannheim Court Theatre", pp. 63-81.
  • Wojcicka-Hruza, Lucy, "A Manuscript Source for Magnificats by Victoria", pp. 83-98.

 


Cuestiones de interpretación


  • Montgomery, David, "Modern Schubert Interpretation in the Light of the Pedagogical Sources of His Day", pp. 101-118.
  • Haggh, Barbara, "New Publications in Dutch on Music before 1700 and a Newly Discovered 15th Century Dutch Manuscript with Songs", pp. 121-128.

 


Reseñas de libros


  • Harper, John, "Of Pipes and Windchests: The English Organ Newly Surveyed" (The History of the English Organ, de Stepthen Bicknell), pp. 131-133.
  • Wray, Alison, "Specialist Pronunciation for Singers", (Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance, de Timothy J. McGee; A.G.Rigg; David N.Klausner), pp. 133-134.
  • Leech-Wilkinson, Daniel, "A Guide to Machaut", (Guillaume de Machaut: A Guide to Research, de Lawrence Earp), p. 137.

 


Comentarios de música


  • Rankin, Susan, "Parisian Polyphony", (Le Magnus Liber Organi de Notre-Dame de Paris, V: Les clausules à deux voix du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Pluteus 29.1, fascicule V, de Rebecca A. Baltzer), pp. 139-141.
  • Rastall, Richard, "Holy Week Ceremonies", (The Use of Salisbury 4: The Masses and Ceremonies of Holy Week, de Nick Sandon), pp. 141-142.

 


Reseñas de discos


  • Asensio, Juan Carlos, "Before Quasimodo: very early polyphony", pp. 145-147.
  • Field, Christopher D. S., "Rehabilitating William Lawes", pp. 149-152.
  • Johnston, Gregory S., "German sacred Baroque", pp. 152-155.
  • Sadler, Graham, "To Hell with Charpentier", pp. 155-156.

 


Subastas


  • Searle, Arthur, "Printed and manuscript music, pp. 159-164.

 


Correspondencia


  • Komlós, Katalin, "The early fortepiano", pp. 167a-167d.
  • Rowland, David, "The early fortepiano", pp. 167b-168d.
  • Phillips, Peter, "Obrecht's Maria zart: scholarly opinion versus subjective interpretation, pp. 168-171.
  • Fitch, Fabrice, "Obrecht's Maria zart: scholarly opinion versus subjective interpretation", p. 171.
  • Walls, Peter, "Performing Corelli's op.5", p. 172.
  • Bryan, John, "A viol error, certainly", p. 172.

Enlaces externos